Tomás Cabado is an argentinian composer and performer. He plays guitar and cavaquinho and writes music for soloists and ensembles.
His
music production is in constant dialog with thoughts about sound, the
way it can be conceived, and the relationships between actors and
factors inside the musical practice. Recently he started to seek in his
work ways of replacing, disguising, or perhaps hiding narrative and
processes, looking for a sense of statism or repetition but leading to
slightly different states in time.
He
studied composition with Santiago Santero at the National University of
Arts in the Department of Music and Sound Arts at Buenos Aires. He owns
the title of Music Teacher from the Juan Pedro Esnaola School of Music
and received grants from the Berklee School of Music of Boston (MA,
USA), Argentinan Found for Development, Ministry of Education in Argentina, and the National Found for Arts.
His
music for soloists, ensembles, electronics and/or video has been played
in Germany, Chile and extensively in Argentina. He wrote commisioned
music for different ensembles (Contemporary Music Ensemble of the UNA,
PAMPA Ensemble) and participated as a composer in recidencies with
musicians (at conDiT in Buenos Aires, and Germina.Cciones in Chile). He
regularly composes music for videos that traveled to festivals arround
Latin America and Europe.
As
a performer he participates in the experimental, contemporary and
improvised music scene of Buenos Aires, playing as a guest in different
ensembles and in some ad hoc groups. He has a duo with cellist Gabriela
Areal were they play original music between composed and improvised.
Ocassionaly, he participates in jazz and brazilian music groups, live
and in records.
Also, he produces concerts
with Juan Saidón in this experimental/improvisation scene where
composers, improvisers, bands and writers participate in the same venue.
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